Assigned Seating
With my suitcase rolling behind me down the aisle, I began to regret boarding the plane so late. Too much time spent in mass market bookstores or Cibo Expresses debating about the likeability of granola, and suddenly I’m the third to last person on the flight. The issue isn’t the overhead compartment space (though that does tend to be quite sparse before the cabin doors have closed), but rather the sheer number of humans packed into a very small area. When a plane’s cabin is comprised of empty seats and shuffling bodies, nothing really matters. But with rows and rows of seated people squished so closely to one another that their elbows seem like infringements on arm rests and dignity, the mind begins to spin with claustrophobia and recirculated air.
I’m at an advantage, though, because I’m petite. I can sit comfortably in airplane seats, I can snake my way through congested bars, I can curl up on small couches and, with a little meditation and patience, doze off. In spite of this, I’ve never liked large crowds. Once, while at a Girl Talk concert at Terminal 5 in NYC, the crowd around me began to cave in and I went down with them. Completely overwhelmed and almost in tears from a near-trampling, I left in the middle of the show, bought a Lean Cuisine at Food Emporium and spent the rest of the night watching Dateline alone in my room.
I avoided riotous crowds after that. I passed on most concerts, music festivals and raves. And I only went to Disneyland on weekdays.
With my leopard print bag in an overhead compartment, I took to my 21C aisle seat. Around me: a professional thirty-something woman wearing mascara and a wedding ring, tinkering with a Powerpoint presentation on her PC laptop; a sick girl struggling with a cough, sporting her most comfortable running shoes; a Hasidic Jewish family, the girls all in skirts, watching something called the Yeshiva Boys Choir concert; men wearing flannel, clearly from Brooklyn with Ray Bans tucked into shirt pockets; and me, still with last night’s makeup smeared under my eyes, dizzy from lack of sleep. I drowned out the plane with my headphones and iPod, and tried to do as I always do when I fly: create a bubble around me, and pretend the rest of the flight doesn’t exist.
My exhaustion stemmed from a 5am night in New York City, a typically normal evening made painfully real and consequential with the onset of an AM cross-country flight. Before a nausea-inducing cab ride to JFK Sunday morning, my Saturday night had begun at 6:30pm at Irving Plaza. A friend and member of the band Falling In Reverse invited me to see his show, and, with a VIP sticker on, my plus-one and I settled into seats on a balcony overlooking what was slowly becoming a massive, packed crowd.
“Holy shit, Diana,” I said. “That crowd is my worst nightmare.”
I’d met my musician friend while on a flight to Las Vegas. We boarded together as strangers and, after much awkward toiling with our carry-on bags, found ourselves seated next to each other. Unaware of the surrounding passengers, I was suddenly acutely aware of the guy seated to my right, and he of me. After 45 minutes of small talk and the plane touching down at McCarran, “I’m AJ,” hands shook, and a friendship blossomed.
Now in New York, Diana and my eyes widened during the opening band performances as mosh pits opened up and teen boys, their blood pumping furiously with testosterone, swung their arms at fellow moshers’ faces and launched their bodies towards one another like atoms finding their path. The crowd near the stage, packed so tightly that it appeared to just be a sea of heads and shoulders, swayed back and forth, its inhabitants unable to stop the momentum as the group of hundreds was pushed to the left, then right, then left again…
We sipped our ice waters upstairs, watching the madness unfold below like spectators at a death brawl in Ancient Rome.
My musician friend finally swooped us and led us backstage where, under harsh vanity lighting, we chatted about leather, spikes and “Taco Bell” knuckle tattoos before he sprayed his hair one last time and tuned his guitar. Outside, the crowd continued to churn, working itself up into a frenzy before FIR lead singer Ronnie took to the stage later. While positioned out on the balcony again during the Falling In Reverse concert, I watched the crowd erupt into shaking screams as Ronnie emerged with the rest of the band, fans worshiping him with outreached arms and devoted sweat. They yelled the lyrics along with Ronnie like gospel, entranced by the guitars, the drums, the energy of the surrounding crowd. And in the balcony, Diana and I began to throw our heads to the music too, the music engulfing every single person in the room.
Maybe, I thought as FIR raged on stage, I could handle this crowd. Maybe, with the right shoes, my hair in a ponytail, and my soul hellbent on soaking itself in music, I could do this. Girls chucked their bras on stage and teen bodies, possessed by the force of the concert, were passed overhead until burly security guards grabbed the crowd surfers and led them away from the crowd. To feel a part of something, to feel that oneness as you and every other person around you are screaming the same words, falling in line to the same beat, is a powerful experience. And while up in the safety of the balcony, away from the kicking legs and flailing arms of moshers, away from the ribcage-crushing force of the crowd, away from the sweat, the blood, the insanity boiling below, I realized I envied those kids, those fans. They had something I didn’t have: the ability to feel at one with a crowd of strangers.
This was the same envy I’d felt watching attendees of church sermons, or groups of the devout as they chant. It’s the oneness, a spiritual oneness that seems to only arise in crowds sharing a consciousness. Perhaps my mind is too shrouded in its own thought to ever experience this, but I want to. Somewhere in me, I want to sit in church and feel at one; I want to be at a concert and, while being almost suffocated by a crowd, scream lyrics with my eyes closed, the other concert-goers magnifying my own voice and the voice of the lead. I recall a group meeting where a woman sat sobbing out, “I’m trying to find God, I’m trying to find the light,” and the oneness was almost there for a moment, because maybe I was too. In search of something that staves off loneliness by replacing it with collectiveness. To dig up the self from layers and layers of protective walls and allow it to hold hands with strangers caught in a shared experience. My friend lifted his hands from his guitar during a song and clapped them above his head. The crowd, almost instantly, began to do the same. And I looked at my hands, resting against the balcony railing, and maybe it was the distance from the crowd, or my mental distance from the world that seems to pervade most waking moments and lead to hyper-observation, but I couldn’t put them together, and I watched from afar instead. I was like an agnostic in church, feeling an inescapable urge to believe.
Diana and I left during the last song to avoid the door rush upon exiting Irving Plaza. I ate pasta and garlic knots at a pizza joint down the street, and when I arrived back at the venue, the concert hall was nothing but empty space, sticky floors and crushed plastic cups. The only sound echoing across the main floor were my six inch heels heading towards steep stairs.
The rest of the night unfolded as most New York nights do: bars, yellow cars, drinks on ice, smiling an inch or two closer than what constitutes “friends,” avenues streaming by with windows rolled halfway down, until finally you are alone again in the backseat of a cab, the night leaning towards dawn, too tired to even eat. The crowd conundrum of NYC echoing once again on the Williamsburg bridge where all you can hear is cab tires whirring against hastily paved highways. The glimmering lights of the city the only thing saying good night. And you are at one with no one, no one but yourself.
And then, clicking my seat belt while sitting in 21C. A flight attendant who could moonlight as a linebacker asked me to follow along with the safety information in my seat back pocket in front of me, but it’s garbled because of my headphone’s music, and I already know that there is a life vest beneath my seat and that every bathroom is equipped with an infant changing table. The Hasidic Jewish family took pictures of one another, and the kids and teens ran up and down the aisles, clearly traveling for pleasure. I wondered if they were allowed to watch MTV on the inflight televisions. They practiced Jewish scripture and ate crackers, and I felt a small pang of envy upon seeing them as well. Though I am a city girl with a nose piercing and mouth like a sailor, there they were — sitting peacefully in the oneness, even on average society’s fringes.
The flight occurred with me drifting in and out of a light, unfulfilling sleep. And upon landing, seeing the contentment in other passengers’ eyes: we were all back, or something like that. “Welcome home,” said a flight attendant. And for a transient blip, a oneness, then smothered by us pulling out our smartphones and forgetting about each other once again. I didn’t speak a word to my neighboring passenger, except a polite “Sure” when she got up to use the bathroom.
At baggage claim, waiting for my belongings and ride, I felt one with nothing but my backpack and exhaustion. No longer contained inflight, passengers from Jetblue’s flight from JFK to LAX dispersed like atoms into an open system, not smashing, not even bumping into one another, arms and legs carefully heaving luggage onto push-carts and into trunks. Myself, one of the smaller atoms of the bunch, found a corner, a balcony to watch from, as a conveyor belt spun out bags and boxes. And that night, as my friend brought unifying metal gospel to a crowd of screaming fans in Massachusetts, his guitar wailing into ears of the believers, I turned my phone off early, flipped off the lights, too tired to even pray, and listened to Hollywood, to the car tires whirring against hastily paved streets.
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